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Humans have a natural instinct as predators to kill, but society forces us to repress these feelings by living in a ''civilized'' way....according to new Ethan Hawke led film The Purge, a very interesting concept of a film, which explores a future society in which all crime is allowed for one night a year...

It's 2022 (not actually that far away), and unemployment in America is 1%, crime is at an all-time low, and generally, everybody seems happy, especially James Sandin (Hawke), a rich citizen who makes his fortune selling security systems for houses to use during the annual Purge. Basically the reason why unemployment and crime is so low is because, for one night a year, a Purge occurs, where all crime (murder, raper robbery, the whole lot) is made legal, and no police or emergency services are allowed to interfere. Mad. But also intriguing. James and his family happily avoid the Purge by using a security system outside their large house while the rest of society kills each other, but all that changes when their youngest son Charlie decides to let a stranger into the house......

This starts off as a really captivating film, the concept of legal crime kept me hooked, but soon enough, it descends into a stereotypical action film where Ethan Hawke fights off gangs from his house with a variety of handguns,and all originality gets lost in a haze of bullets (literally). The short running time (85mins) and variety of twists every 5 minutes makes sure that it doesn't get too boring, so overall a decent watch, but nothing that provokes any thinking afterwards.

6/10- A lesser version of Panic Room

The idea is intriguing. For twelve hours a year all crime is legal, including murder; do what you want and face no consequence. All emergency services are suspended and with the exception of an unexplained restriction on weaponry, and certain members of the public being out of bounds as targets, there is nothing to stop you doing what you wish. The result is a venting of frustration and anger, a purging of demons, as well as the eradication of the poor and those unable to defend themselves. The end result of this annual purge is extremely low unemployment and crime, and a fantastic economy; "a nation reborn", where the weak are prey and the strong survive. One of the strong is James Sandin, who sells security systems to fellow high-flyers; these obviously come in most useful on the night of the purge. Of course on the night in question, things go rather wrong and the Sandin family find their home under siege, following their son Max's generous act of letting a victimised stranger in.

For a second, put aside the rather obvious holes in the idea when considered as a practise encouraged at a national level, even put aside the cynical nature of the movie, and we can see the idea may have started out as a distressing vision of a near future, a terrifying "other reality". Indeed, 'The Purge' takes its cue from a lot of previous work that has done similarly; you don't have to look too hard to see various elements of 'A Clockwork Orange', '1984', 'Lord of the Flies' and 'Battle Royale'. The problem is that unlike those works, and unlike 'Straw Dogs', with which it shares more than a little DNA, this story has been watered down to a locked room domestic thriller; a potentially incendiary political fable is devoid of most of that which would have made it so. This is actually typical of writer/director James DeMonaco, who is responsible for the screenplay for the remake of 'Assault on Precinct 13', a film which again extracted a lot of the original's rough edges and tough moments to leave a flat, action driven thriller. Similarly, the scope of the film is rather narrow; with early implication that there will be a study of repressed violence and how the night is used as an excuse, it is then disappointing to see the story steers frustratingly wide of all matters other than murder. The film lacks the gumption to tackle the disturbing elements of our unchecked nature in a way that Cronenberg would have done.

So what we're looking at here is a film which, in different hands may have proved to be a controversial and stirring piece of work, but with DeMonaco scared to grasp the nettle, we end up with a flat, rather tame film, which is given some lift by its better elements, such as the performances and some of the fight sequences. Lacking bite, with a frustrating amount of exposition and not enough dissection of issues, 'The Purge' falls short of what it should have been.

This is not to take away from Ethan Hawke's solid performance, or some of the more effective scenes, but what we would give to have seen this in the hands of Michael Haneke.